Sony Cinema Line · Available at ISPACE

Cinematic power,
from pocket to production.

The full Sony Cinema Line — engineered with the same visual philosophy as VENICE. Choose the body that fits your craft, from the compact FX30 to the run-and-gun FX6.

The FX Family

In ascending order: FX30, FX2, FX3, the new FX5, and FX6 — each built for a different scale of story.

APS-C
Sony FX30
Cinema Line
FX30
APS-C · 6K oversampled 4K

The most affordable way into Cinema Line. A compact APS-C body with pro colour science and Dual Base ISO.

  • APS-C sensor, 4K oversampled from 6K
  • Dual Base ISO for clean low light
  • S-Cinetone colour science
  • Cage-free design, multiple mount points
Full-Frame
Sony FX2
Cinema Line
FX2
Full-frame 33MP · Hybrid stills + video

The gateway to full-frame filmmaking, with a built-in OLED viewfinder and genuine hybrid stills capability.

  • 33MP full-frame Exmor R sensor
  • 4K up to 60p (S35) · 7K oversampled 4K
  • 15+ stops dynamic range, Dual Base 800/4000
  • 3.68M-dot tilting OLED EVF · AI AF
Full-Frame
Sony FX3
Cinema Line
FX3
Full-frame · 4K 120p

The compact, agile full-frame workhorse. Exceptional low-light performance in a run-and-gun body.

  • Full-frame sensor, S-Cinetone
  • 4K up to 120p slow motion
  • 15+ stops dynamic range
  • Cage-free design, multiple mount points
New
Sony FX5
Cinema Line
FX5
Full-frame 16.6MP · Internal X-OCN RAW

A mini-VENICE. Open Gate recording, internal 16-bit RAW and three base ISOs in a compact body — sits between the FX3 and FX6.

  • New 16.6MP stacked full-frame sensor · BIONZ XR2
  • Open Gate 3:2 + internal X-OCN RAW
  • 5K 60p · 4K 120p · FHD 240p
  • Three base ISOs (800/4000/12,800) · Dual Gain
Full-Frame
Sony FX6
Cinema Line
FX6
Full-frame · Built-in variable ND

The professional documentary and run-and-gun body, with a box-camera form factor built for rigging.

  • Full-frame sensor, Dual Base ISO
  • Built-in variable ND filter
  • 4K up to 120p · SDI output
  • Box form factor, easy to rig

Recommended Lenses for the FX Line

Sony E-mount glass most trusted by FX shooters — from cinematic primes to do-it-all zooms.

The all-rounder

FE 24-70mm f/2.8 GM II

The default full-frame zoom. Sharp, compact, and covers most shooting situations.

Wide & cinematic

FE 16-35mm f/2.8 GM II

Landscapes, interiors and gimbal work. A staple wide zoom for filmmakers.

Power zoom

FE PZ 16-35mm f/4 G

Constant-length power zoom built for video — smooth, quiet, gimbal-friendly.

Fast prime

FE 35mm f/1.4 GM

The classic documentary focal length with beautiful low-light bokeh.

Portrait & interview

FE 50mm f/1.4 GM

Natural perspective, creamy separation — ideal for interviews and narrative.

Telephoto reach

FE 70-200mm f/2.8 GM II

Compression and reach for events, wildlife and dramatic close-ups.

APS-C / FX30

E PZ 10-20mm f/4 G

Ultra-wide power zoom purpose-built for the FX30's Super 35 sensor.

Compact prime

FE 24mm f/1.4 GM

Tiny, fast and razor-sharp — a favourite for solo and gimbal shooters.

Ready to build your kit?

Talk to the ISPACE team for pricing, availability and hands-on demos in Quatre-Bornes.

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